Tubi and e.l.f. grew by serving audiences incumbents overlooked

Anjali Sud and Kory Marchisotto explain free streaming, affordable beauty and direct feedback from fans.

ASAnjali Sud게스트 · TubiKMKory Marchisotto게스트 · e.l.f. Beauty
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Masters of Scale
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2026년 11월 10일
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23:03
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요약

30초 요약

Tubi and e.l.f. Beauty took different routes into crowded markets by serving people their larger competitors overlooked, Anjali Sud and Kory Marchisotto say. Tubi used free streaming and major sports to challenge assumptions about quality; e.l.f. built affordable beauty and brought executives directly to customers through live video. Both describe using audience feedback to shape products or programming.

  1. 1Tubi had to overcome the assumption that free meant poor qualitySud says the advertising-supported service sought to show that free entertainment could still offer a strong experience.
  2. 2Find the gap between what customers want and what existsMarchisotto describes a four-part approach to serving overlooked consumers and building in that space.
  3. 3A livestream accelerated a product launchAfter viewers asked for bronzing drops, Marchisotto says e.l.f. brought the launch forward to six months.
  4. 4Tubi uses fans’ interests to shape programmingSud cites a creator-led franchise whose viewers shared clips and helped it reach 20 million views.
  5. 5e.l.f. used board data to challenge representationMarchisotto describes a campaign prompted by the rarity of boards resembling e.l.f.’s.

핵심 정리

  1. Identify people whose needs incumbents overlook and design for the gap between desire and availability.
  2. Bring decision makers directly into conversations with customers.
  3. Use a high-profile event to demonstrate the product experience as well as reach an audience.
  4. Let audience feedback influence product and programming decisions.
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01

Serving consumers others overlooked

Sud and Marchisotto describe how Tubi and e.l.f. challenge assumptions about free entertainment and affordable beauty.

Host Bob Safian sees a shared approach in Tubi and e.l.f. Beauty: both have served customers overlooked by incumbents and attracted a wider audience in the process. Anjali Sud and Kory Marchisotto say the goal is to challenge convention in a way that serves those customers.

Sud says many consumers assume free streaming means low-quality content or a poor experience. Tubi’s challenge has been to show that an advertising-supported service can offer Hollywood, creator and original content without charging viewers.

Marchisotto describes e.l.f.’s aim as making products accessible at affordable prices. Her four-part approach is to identify overlooked consumers, challenge category conventions, scale in the gap between what people want and what is available, and open a path for others.

02

Using the Super Bowl to reach and demonstrate scale

Both brands used the event to speak to audiences they felt were underserved.

Safian asks whether the Super Bowl builds scale or demonstrates it. Sud says it did both for Tubi: a distinctive advertisement reached potential viewers, while free streaming of the game showed that a premium live event could be available without a subscription.

Marchisotto says e.l.f. saw women in the Super Bowl audience but few advertisements addressed them. Its campaigns centered Jennifer Coolidge and later Judge Judy, using prominent older women to signal that the brand saw an underserved audience.

03

Bring customers and creators closer

Livestreams informed e.l.f.’s product decisions, while Tubi used fan interests and creator-led stories in programming.

She calls direct contact with customers “zero distance.” On a TikTok Live with CEO Tarang Amin, viewers asked for bronzing drops; she says the company accelerated the product’s launch from a planned 12–18 months to six months.

When e.l.f. asked its community what else it wanted, career advice and financial literacy came up. Marchisotto says a financial-literacy livestream with CFO Mandy Fields drew 110,000 viewers, extending the relationship beyond beauty products.

Sud says Tubi uses fan conversations to inform programming and also gives creators a route to tell their own stories. She cites creator Noah Beck’s Tubi franchise Sideline, whose fans shared clips and helped it reach 20 million views.

Although Tubi is part of Fox and reports more than a billion dollars in revenue and profitability, Sud says it tries to retain a challenger mindset. Fox partnerships also enabled access to sports programming, including the Super Bowl and World Cup-related content.

04

Boardroom representation and the role of AI

Marchisotto discusses a campaign on board diversity. Both leaders describe AI as a tool for serving people and creators.

Safian asks about e.l.f.’s “So Many Dicks” campaign on boardroom representation. Marchisotto says the company examined thousands of public-company boards and found its own combination of a female majority and substantial diversity was rare. The campaign used the comparison to draw attention to the gap.

Marchisotto argues that a variety of perspectives can change business outcomes, pointing to e.l.f.’s growth. Sud agrees that representation matters for the ability to make decisions and succeed, not only as a symbolic goal.

On AI, Sud says Tubi has long used machine learning for personalization and sees opportunities to reduce the time viewers spend searching. She also sees tools lowering the cost of producing stories, while making distribution and audience discovery more important as content grows.

Marchisotto describes e.l.f.’s AI approach as human-centered, with AI supporting people. She closes by calling for more support for women CEOs and more women in those positions.

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