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In February 2023, Berman discusses a clip in which David Guetta describes using AI-generated lyrics and a voice resembling Eminem during a set. Berman considers audience expectations, sampling and hypothetical future music, while leaving the legality and any artist response unresolved.
- 1The DJ-set clipGuetta describes creating the vocal as a joke and playing it to a crowd.
- 2Two types of toolBerman names a text generator and a voice service; Guetta’s excerpt describes the two steps without naming services.
- 3Consent and audience expectationsBerman asks questions that the video does not resolve.
- 4Legal uncertaintyBerman anticipates possible disputes without establishing the legality of this example.
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- Guetta describes using two AI websites for lyrics and a synthetic voice in a DJ set.
- Berman identifies specific tools, though Guetta’s excerpt does not name them.
- The video does not establish what the audience knew or whether Eminem consented.
- Possible litigation is Berman’s prediction, not a legal conclusion.
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An AI voice in a DJ set
Berman introduces Guetta’s clip and his account of creating the synthetic vocal.
After discussing an AI-generated parody in a previous video, I turn to another example raising questions about creative work and copyright: a DJ set featuring an AI-generated voice resembling Eminem.
French DJ and producer David Guetta shared a clip of himself playing the sound during a set. In the video, Guetta says he made it as a joke, first using an AI website to generate lyrics in Eminem’s style and then another service to recreate the voice. He says the crowd reacted enthusiastically.
Tools, consent and sampling
Berman identifies tools and raises questions about audience knowledge and consent.
I describe the voice as sounding remarkably close and identify ChatGPT and Uberduck as the tools used in this example. Guetta’s clip describes two AI websites but does not name them there, so that tool identification is my account rather than a detail he confirms in the excerpt.
I ask how many people in the crowd recognized that the voice was synthetic, how many would care, and how Eminem might feel about a voice resembling his being used. The video does not establish what the audience knew or whether Eminem consented or responded.
I connect the question to hip-hop’s history of sampling and different artists’ approaches to clearing samples. Sampling existing recordings and generating a voice imitation can raise distinct questions, so the analogy alone does not decide the legal issues.
Future music and legal questions
He imagines further creative uses and predicts possible legal disputes.
I imagine future productions combining generated beats, lyrics and synthetic voices, including unexpected genre combinations. These are possibilities I speculate about, not evidence that a complete album was created in this example.
I expect that commercial use of such material could lead to litigation and suggest that legislation often struggles to keep pace with technology. That is my prediction, not a legal ruling; the video does not determine whether this particular use was lawful or how any future case would be resolved.
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